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JANA HUNTER releases Carrion EP; tours with Devendra Banhart

Jana Hunter will be releasing CARRION an EP consisting of six songs this Fall. Half of them were composed during the same period that produced the material on her most recent full-length, There's No Home , while the other half are alternate renditions of works that appeared on that release. CARRION is being released via Gnomonsong in conjunction with Jana opening tour dates for Gnomonsong co-owner Devendra Banhart.

Concerning the first three tracks, "Paint A Babe," "A Goblin, A Goblin," and "You Will Take It and Like It" -- the first is a throw-back to Hunter's earlier material, written and recorded simultaneously on a borrowed four-track recorder, and is a very sad, song, filled with longing. "A Goblin…” is a sturdy number, replete with violins and creepy harmony vocals, that tells the tale of an indignant outcast. The last of that bunch revolves around one central guitar part -- a pretty and proud one -- turned over and over and over, with others mirroring it, leeching from it, grabbing onto it as little parasitic danglers.

The second half of Carrion features "There's No Home," the original recording (so potent that it Jana was moved to name the entire album after it), then "Sleep" (here titled, as it was originally, "Ooh Uuh,"), a version that ended up on a compilation of lullabyes, andl ast comes the the acoustic re-presentation of the country-minded "Oracle," stripped down to one guitar, one melody, and one harmony, as it was originally conceived in its creation as homage.

The full length There's No Home played extrovert to its predecessor Blank Unstaring Heirs of Doom's introvert. Involving community was the focus of the recording process and is what breathed life into these recordings. While Jana played most of the instruments, she was aided and abetted by, among others, her brother, John Hunter (Inoculist and Dethro Skull) playing some bass and singing, John Adams (the Fatal Flying Guilloteens) on drums and Matt Brownlie (Bring Back the Guns) playing a number of instruments.

In 2004, Jana made her first big splash among fans of distinctive music with her track “Farm, CA” on the Banhart-curated Golden Apples of the Sun collection released by Arthur Magazine’s CD label, Bastet, followed by vinyl-only split release with Devendra Banhart on the Troubleman label. Late the following year she released her full length debut Blank Unstaring Heirs of Doom which was the inaugural release on Gnomonsong, the label founded by Devendra and Vetiver’s Andy Cabic in conjunction with Revolver Distribution. Blank Unstaring Heirs of Doom was a collection of songs written over the period of a decade, a thirteen song "best of" compiled in part from various CDR releases she’d sold at live shows. Critical reaction to both CDs has been great:

…Jana's songs are sparse, eerie, and beautifully melodic. It's hard not to link her to the sound of the Devendras and the Vetivers of the world, but it is an easy way to describe her music. Put it this way, Jana does it better. Blank Unstaring Heirs of Doom and There's No Home are both listens that take a few times to "get," which is always something that shows the longevity of any album. Once you get it, you get it…Jeffrey Thrope/TheTripWire.com 4/16

Besides being one of the best and most underrated luminaries on the neo-folk scene, Hunter is the entrepreneur who toured the East Coast last summer by sailboat. Her meditative, playful, sparse, acoustic-driven songs are refreshing, somber, and sometimes eerie. She's touring for the soon-to-be-released- and most excellent!- There's No Home which finds Jana exploring ever-so-slightly poppier tunes. Shawn Bosler/Village Voice 4/11

 

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Never mind the lazy New Weird America associations—Hunter’s songwriting talent has carved its own niche in the psych landscape. Her solo career has gotten a huge boost from signing to Devendra Banhart’s Gnomonsong label, but she’s much more worth your time than his neo-hippie nonsense could ever dream of being. John Cramer/Philadelphia Weekly 4/12

Lots of today's new folk artists can convey the sensation of woozy drifting. Jana Hunter, however, is particularly good at it. Her voice, highly androgynous, carries her rambling acoustic numbers through an album filled with dark bedrooms, sun-baked highways, and lost loves. Like her friend and label owner, Devendra Banhart, her lyrics are about little things we take for granted, such as birds and hands, and the songs always remain sketches. It's easy to imagine Ms. Hunter recording these tracks while glancing at the scribbles in her notebook. But a couple of fully formed pop numbers, "Babies" and "Bird," stick out on There's No Home. Both contain the faintest trace of country music, the pop sensibilities of Magnetic Fields, and the post-hippie dope-folk of David Crosby. It's more proof that Hunter, regardless of her connections to the freak-folk movement, is her own artist. BRIAN J. BARR/Seattle Weekly 4/4/07

Jana Hunter hails from Arlington, Texas, the fifth of nine children. She played classical violin with full orchestras from age 9. Jana has been doing solo performances off on and since she was 18 as well as playing in a series of idiosyncratic local Houston-based bands. Hunter began playing out regularly with “Matty & Mossy” with whom she also recorded the Fraimers Hamey CD. This outfit broke up after a year when a car landed on and busted her bandmate’s hand. She then carried on as a solo artist with her previous solo offerings being self-released efforts sold at her shows.

Jana credits the songs of her friend Arthur Bates as a major influence.

After releasing Blank Unstaring Heirs of Doom, Jana spent the bulk of the 2006 putting in exhaustive roadwork, touring Europe and the U.S. repeatedly. One run of dates traveling via sailboat up the Intercoastal Waterway ended prematurely when the boat smashed into a buoy in the Chesapeake Bay (luckily no one was hurt but the remainder of the tour had to be done via conventional transportation). She was also writing in preparation for the recording of There's No Home.

With Jana Hunter opening for Devendra Banhart
Thu Oct 4 Nashville TN at City Hall
Sat Oct 6 Dallas at Granada Theater
Sun Oct 7 Austin at La Zona Rosa

 

 

 

 

 

 

 

 

 

 

 

   
 

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